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Portal:Literature

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Introduction

The Library of the Palais Bourbon in Paris

Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially novels, plays, and poems. It includes both print and digital writing. In recent centuries, the definition has expanded to include oral literature, much of which has been transcribed. Literature is a method of recording, preserving, and transmitting knowledge and entertainment. It can also have a social, psychological, spiritual, or political role.

Literary criticism is one of the oldest academic disciplines, and is concerned with the literary merit or intellectual significance of specific texts. The study of books and other texts as artifacts or traditions is instead encompassed by textual criticism or the history of the book. "Literature", as an art form, is sometimes used synonymously with literary fiction, fiction written with the goal of artistic merit, but can also include works in various non-fiction genres, such as biography, diaries, memoirs, letters, and essays. Within this broader definition, literature includes non-fictional books, articles, or other written information on a particular subject. (Full article...)

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1897 illustration of La Peau de chagrin drawn by Adrien Moreau
La Peau de chagrin (The Magic Skin or The Wild Ass's Skin) is an 1831 novel by French novelist and playwright Honoré de Balzac (1799–1850). Set in early 19th-century Paris, it tells the story of a young man who finds a magic piece of shagreen that fulfills his every desire. For each wish granted, however, the skin shrinks and consumes a portion of his physical energy. La Peau de chagrin belongs to the Études philosophiques group of Balzac's sequence of novels, La Comédie humaine.

Although the novel uses fantastic elements, its main focus is a realistic portrayal of the excesses of bourgeois materialism. Balzac's renowned attention to detail is used to describe a gambling house, an antique shop, a royal banquet, and other locales. He also includes details from his own life as a struggling writer, placing the main character in a home similar to the one he occupied at the start of his literary career. The central theme of La Peau de chagrin is the conflict between desire and longevity. The magic skin represents the owner's life-force, which is depleted through every expression of will, especially when it is employed for the acquisition of power. Ignoring a caution from the shopkeeper who offers him the skin, the protagonist greedily surrounds himself with wealth, only to find himself miserable and decrepit at the story's end.

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The first and last verses of "Auld Lang Syne", a Scots poem by Robert Burns

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  • ... that there is a Gambian literature even though it has been argued that there is "minimal basis" for its existence?
  • ... that Galadriel's gift of some of her hair to Gimli in The Lord of the Rings has echoes in both English literature and Norse legend?
  • ... that Imagining Mars: A Literary History "presents a compelling case that 'Mars matters'"?
  • ... that Hadriana in All My Dreams, published in 1988, was the first novel by a Haitian author to win a major French literary award?
  • ... that History of the Mission of the Evangelical Brothers in the Caribbean by C. G. A. Oldendorp was the first book to publish Igbo-language terms in 1777?
  • ... that a study of Anglo-Saxon literature begun by Bernard Pitt in 1914 was completed by a colleague after Pitt was killed in the First World War?

Today in literature

28 December

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